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Showing posts with the label speech

For and Against Memorizing Poetry

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This petition was submitted during the 2010–2015 Conservative – Liberal Democrat coalition government; the deadline 30 March 2015. At the time is attracted only 366 signatures, despite being widely circulated as a link on social media. Petition: End of GCSE English Literature for All, 2017 GCSE English Literature from 2017 will require students to remember between 15 and 18 (depending on exam board) poems in an exam in order to 'closely analyse' them. Signatories ask government to consult with the English teaching community as to whether this is the fairest and most meaningful way of assessing students' understanding and appreciation of poetry. There has been no such consultation on this matter to date. Meanwhile the learning of poetry for public recitation is increasingly popular. Moving beyond the controversial rote-learning for exams issue, this blog explores some of the advantages and disadvantages of learning poetry for pu

What's wrong with using "said" in composition and creative writing?

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Let's be clear: it is not incorrect to write 'he said' or 'she said.' In fact, it may be advantageous to let the dialogue do the work and to leave the specific manner or tone of speech to the reader's imagination. The reader often has an intuitive grasp of the flow of emotions. Close examination shows that there are many options if you want to replace the word 'said', but sometimes you don't need to use it at all. The word 'said' also preserves a potential ambiguity. Again this can be helpful in creative writing if you do not want to direct the reader to a specific interpretation. Why not trust the reader to unmask irony and double-meanings in the speech? Often, the writer who lacks confidence wants to fill in all the gaps . Sometimes it is better to be less busy, and to leave some space for the reader to work on the prose. Writing presupposes a partnership; it is not a dictatorship. The word 'said' can also be complement

63 Tips for More Effective Memory and Recall of Quotations, Texts and Speeches

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As a tutor I am often asked to help students who are having trouble with their recall of texts and quotations. But before I outline my 63 memory-recall tips, it is worth observing that many public speakers avoid trying to memorize speeches with word-perfect duplication of the original. Spontaneity and improvisation in speech making is far more natural and attractive than stressing-out over perfect recall. Momentary silences focus attention and create a sense of and sincerity, which may draw more applause than a speech that sounds arrogant and excessively confident. We want pathos not parrots. In fact, some audiences will be turned off by an artificially memorised speech that sounds like a robot in replay mode. LEARNING CLASSIC SPEECHES for RECITATION or PERFORMANCE But if you are learning a classic text , such as a speech from Shakespeare , you will need to aim for highly accurate recall, as the audience will spot errors, and mistakes may also ups